The Creative Plan – Liquid Pencils

Project_2_Liquid_pencils_Day4

This is a brand mew medium for me. I have seen artwork created with liquid pencil, mostly as finished pieces, but I’ve no first hand experience with it.

Day1_Liquid_Pencil_Set_1
I went to the local art store hoping to buy a jar but they only had a set of twelve tubes. In fact, I was lucky to have found these at all. I scoured the entire shop twice before asking the shop assistant who was a bit vague at first because it’s been “off the radar” as far as a product that’s in demand goes. She found it wedged amongst other stuff – not a particularly good sign but nevertheless $25 later I walked out with it.

Day1_Liquid_Pencil_Set_2The set was made up of six permanent and six rewettable tubes. Basically you get the same colours in each set of six with the difference being it’s workability and light fastness. It meant nothing to me at the start but the differences slowly revealled themselves as I began to use them.

Creating colour charts

day1_exercise1Whenever I get a new set of paints, inks etc. I make up test samples and colour charts. Although a little time consuming they’re incredibly helpful when the supplied colour chart or paint label isn’t accurate in relation to what the finished colours should look like. The labels on the paint tubes or the glossy printed inserts aren’t always reliable because they’re printed using a CMYK printing process.

Day1_Colour_chart_prep
Pencilling up my paint sample charts

This means your Cerulean Blue paint, for example, is printed in the brochure from a combination of Cyan, Magenta, Yellow and blacK. So there may be traces of black appearing in the Alazarin Crimson swatch or magenta (red) in the Emerald Green. As a result the printed colour guide will represent the colours “dirtier” than their true pigmented nature. Have you ever printed out a graphic from your computer that is really bright on your screen but the print out is dark, even muddy? It’s the same principle.

 

Day1_colour_chart_example_2

Day1_colour_chart_example_1
Examples of the colour differences between a product’s printed colour chart and my own sample.

Even if they have legitimate paint samples, like mine shown, they are still scanned in and even the best scanners in the world won’t pick up all colours correctly. For instance, many types of yellow can end up looking similar, and darker colours could verge on being black. Some companies may go to the effort of colour correcting each sample, but again they are still printed using a CMYK process.

Day1_colour_chart_permament
My Liquid Pencil Permanent colour chart
Day1_colour_chart_rewettable
My Liquid Pencil Rewettable colour chart

That’s why it’s always good to make your own, even better if you use the same paper you plan to paint on as these charts are also printed on glossy paper, not art paper.

 

Testing, testing…

As I have no experience with this medium I also wanted to test out its pliability (not sure if that’s the right word) with reference to wet or dry techniques. You can achieve different results when you paint straight onto dry paper or if you wet the paper beforehand. The same also applies to whether you dab your paintbrush in water or not. Below is a key were I have abbreviates the techniques I’ve used.

Key-01

Warning!

I had a few issues with the paint set which I describe in detail. Unfortunately only after having spent some time using them, a friend later informed me that the reason I was getting these inconsistent results could be due to the paint set being old. I never knew unopened tubes of paint could react this way! So I don’t know whether the results I got were the liquid pencil’s typical characteristics or because the paints weren’t fresh. So be warned!

Permanent Paint

For the following exercise I used Grey 9.

Before I began I squeezed the tube but the paint didn’t come out as a soft liquid consistency, rather a gritty, wet dirt consititution (see my photo of the front of packaging).

Day1_Permanent_paint_1
My Liquid Pencil Permanent Grey 9 as it came out of the tube.

Adding a bit of water to it had nil effect and had to scoop it on to the paper to be able to work with it.

Day1_Permanent_paint_1_with_water
Applying water didn’t make it any more malleable.

Results

 

Day1_permanent_wet_brush_on_dry_paper
Permanent – Wet on Dry


W/D
– Streaky, very hard to control. Dry it looks nice, good for an expressive effect. May damage a long-haired brush.

 

Day1_permanent_wet_brush_on_wet_paper
Permanent – Wet on Wet

W/W – Better for large areas where you want a consistent tonal background wash as you could probably build up layers. I dont think this would be achievable wet on dry.

Day1_permanent_dry_brush_on_dry_paper
Permanent – Dry on Dry

D/D – Can damages brushes so could be good with a palette knife instead. Hard to control.

Day1_permanent_dry_brush_on_wet_paper
Permanent – Dry on Wet
Day1_Permanent_dry_paint_on_wet
Angled shot to show the pigment sitting on the surface.

D/W – A bit more control and you can move it around better on a wet surface.

Rewettable Paint

For the following exercise I used Grey 9.

The rewettable paint had the typical viscosity like any normal tube of paint but when I first opened it about a teaspoon worth of water poured out followed by the paint splattering out.

Day1_Rewet_straight_out_of_tube
My Liquid Pencil Rewettable Grey 9 as it came out of the tube.

Suddenly my brand new, full tube of paint had shrunk to a third its size!

Day1_Rewet_tube_before

Day1_Rewet_tube_after
Before and After –  squeezing out the paint for the first time

Results

Day1_rewettable_wet_brush_on_dry_paper
Rewettable – Wet on Dry

W/D – The paint moved around the paper quite easily, very streaky though.

Note: at the bottom of each of these rewettable samples, once dried, I went over with a rubber (eraser).

Day1_rewettable_wet_brush_on_wet_paper
Rewettable – Wet on Wet

W/W – Loses a lot of the above streakiness even when I intentionally left it alone for some time.

Day1_rewettable_dry_brush_on_dry_paper
Rewettable – Dry on Dry

D/D – I like the richness of the dry brush results. This time I used a short-haired brush. Although this was a dry test, so much liquid came out of the tube it acted like a lubricant for the brush, which means I don’t know how true a test this really was.

Day1_rewettable_dry_brush_on_wet_paper
Rewettable – Dry on Wet

D/W – Again, lots of richness but very streaky. This could be either annoying or great if you can manipulate it.

Layering with Rewettables

When painting, layering is important to create things such as depth, atmosphere and texture, making it important for me to test out the liquid pencils’ layering abilities. I didn’t bother testing out the permanent paints in this capacity because I believe being able to create layers is one of those differences between the two types of liquid pencil.

Wet on Wet

The first two treatments were about working in layers where the initial layer is still wet while applying the second. The left image is using only one colour (Grey 9) whilst the right image uses two colours (Grey 9 and Red).

Day1_Rewet_layered
Blending layers while still wet.

I tried to treat the first layer like a watercolour graduated wash, ie painting from dark to light. When I applied the second layer straight away it didnt really blend in with the first. It sat on top and felt like I was a finger painting.

I didn’t fair any better with the two different colours blending in. The red is very subtle and in fact there’s no real layering as one would find using watercolours. The colouring is dirty and the layers aren’t very distinct.

Wet on Dry

The next two treatments were about rewetting the layers after they had dried.

Day1_Rewet_dried_than_rewet_before
First stage: allowing base layer to dry.

With the left image (one colour only) I used a bit of water to get an even wash and it dried pretty quickly. The right image comprised a layer of Grey 9 left to dry then followed by a layer of Red.

Day1_Rewet_dried_than_rewet_after
Second stage: Applying a second layer of water (left) and paint (right).

On the left image I removed the colour only with water which seemed to work well. The two colours sample didn’t really do much. It has potential to create something exciting but you would need a lot of brush control and foresight to manipulate it.

Dry on Dry

The final two treatments were about allowing the layers to dry then remove the pigment with a rubber (eraser).

Day1_Rewet_Erase_before
First stage: allowing base layer to dry, right image has two colours.

The paint does create a nice solid block of colour. The two colours block doesn’t indicate the types of colours at all, again Grey 9 then Red.

Day1_Rewet_Erase_after
Second stage: pigment removed with a rubber (eraser).

I used a rubber (eraser) and it worked quite well, not even removing or ruining the paper below. Though I did have to use some energy to do so. I do like the residual texture left behind which could be a great base for a picture.

I don’t think liquid pencil coulours are designed for layering unless all layers are watered down to a semi-transparent state.

Your_thoughts_post_itMy first experience with this medium sadly has been influenced by what seems to be an old set of paints. Prior to using them I did do a bit of research on how other artists have used them and seen beautiful results. If anyone else has their own opinion, good and bad, on liquid pencils I’d like to hear from you.

 

 

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3 thoughts on “The Creative Plan – Liquid Pencils

Add yours

  1. I’ve found a piece i used them for a while ago and will show it to you. It was fun using them and I really think yours must be quite old to behave that way. You can try mine.

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  2. What a bummer that they were an old set 😔 I love how you persisted regardless. I had never heard of liquid pencils before your post, so you’ve got me all curious about them. Can I say it again? I am loving your creative plan! You’re on such an inspiring journey xx

    Like

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