Hidden in Rookwood

Sydney Sketch Club organised a meet up for the annual Hidden Walk art exhibition at Rookwood Cemetery in Sydney. Thankfully it was only in a small section of the grounds as it is one large mother of a cemetery. This is my third or fourth sketching venture to a cemetery so won’t bore you with the reasons why I enjoy them so much. But if you would like to see and read some of my past trips to them please click on this link.

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Katana, Bushido Exhibition, National Gallery of Victoria

One thing I did aim to do this time was to work solely with graphite pencils and a rubber/eraser. I liked the results of my Bushido series (shown above)  drawn when I went to Melbourne a few months ago (click here for link) and wanted to revisit that technique. So I took the below equipment with me. I’m not sure how I ended up with so many of the same pencil and pencil grade but it proved quite useful.SSC Rookwood Hidden equip LR

They were mostly 3B and 4B pencils which meant that only after a few seconds of sketching the sharpness of the soft lead point would disappear, and you can lose your momentum having to re-sharpen the same pencil over and over again. What I do is sharpen them all before I start and lay them out next to me. As soon as one goes blunt I pick up a sharp one and continue.

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Mind you my first drawing of the day is always the least successful (image above). It’s like what they say about making pancakes – the first one is always the “throw away” and the rest get better after that. The next three drawings show artwork installation from the exhibition.

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The rest are just wandering around the older parts of Rookwood. Its early spring in Australia so all the overgrowth is in full bloom.
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This next one I attempted to use some of my inktense pencils. I’m not sure if I like it or not. I don’t know if it adds anything extra being there. I will have to make a few more attempts next time.SSC Rookwood Hidden7 LR

This last one is my favourite of the day because I treated it more as a completed composition rather than just sketching what I see and then “finishing” it off. So I was very conscious of it working as a whole from start to finish.SSC Rookwood Hidden8LR

Thanks for stopping by.
Meegan

2 Comments

South of the border

I spent a week in August with my sketching friends down in Melbourne. A few had other objectives that week other than sketching,  but for me that was my main focus. After a very personal ordeal, I needed to get back on track and remember what it is like to sketch out and about again. There was also a touring exhibition at the gallery that I wanted to see as well, so that was another incentive to get out of town for a bit.

There’s not much I want to detail about the trip. I wasn’t aiming to achieve any artistic breakthrough this time round so I stuck with my regular mediums and just enjoyed the opportunity. So hope you like.

Vic Markets

First full day in Melbourne and it was pretty cold, even the local produce workers were complaining about the weather. Luckily there were a few benches, undercover, situated midway between the aisles that made it easy to set up for a few hours.

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Watercolours and brush, followed by colour inks and dip pen

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Watercolours and brush, followed by colour inks and dip pen

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Watercolours and brush, followed by colour inks and dip pen

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Colour ink and dip pen

The Old Treasury

We met up with a couple of local Urban Sketchers at The Old Treasury building. Although Melbourne is known for its buildings (old and new) I’m not a huge fan of drawing buildings as I don’t always feels they capture the “soul” of the place. It was a weekday so not much was happening outdoors, so I decided to draw the fountain as it had the  most “life” in it.

melbourne-govhouse fountainA technique which I have started to employ (when I remember) is applying water to the paper first then throw on the colour. This is to get a cool blurry blended feel which adds dimension to any finished picture.

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Watercolours and brush, followed by colour inks and dip pen

Koko Black

To warm ourselves up we went for coffee and chocolate. The interior had a nice rococo influenced style so sketched a bit of that. For some reason I folded by paper into three panels. I don’t know why, it was irrelevant in the end. I think it was because we had such small tables but lots of plates and cups I didn’t think I would have had the space to lay out an entire sheet.

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Watercolours and brush, followed by Micron pigma pen.

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Watercolours and brush, followed by Micron pigma pen.

The Rest of Melbourne

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Southbank – Watercolours and brush, followed by colour ink and dip pen.

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Southbank – Watercolours and brush, followed by colour ink and dip pen.

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Flinders St Station – artline pen and water brush pen

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Fitzroy – artline pen and water brush pen

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The Block Arcade – wedding dress display. Drawn with Black calligraphic brush pen and watercolours.

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The Block Arcade – a tailor’s front window. Drawn with blue biro and watercolours.

Bushido exhibition

At the National Gallery of Victoria they had an exhibition of Bushido artifacts. Always never enough time, I focussed on the armour that was on display. And only had time for one katana. I did plan on doing an “eraser/graphite pencil” technique for this, but I couldn’t find my eraser so just attacked it with my 4B pencil. I ended up finding it in my pocket!!! but I had already gotten into it, so will save that technique for another time.melbourne2014_bushido1 LR melbourne2014_bushido2 LR melbourne2014_bushido3 LR melbourne2014_bushido4 LR

4 Comments

Tricky insects

dip pen and ink

dip pen and ink

One afternoon I felt like doing some drawing. I do a bit on a regular basis but they are always project-based and at different stages requiring thought and patience. So after some “serious” art I wanted to splash out and have some expressive fun. A few months ago I came across a link to the USGS Bee Inventory and Monitoring Lab flickr site, which displays amazing photos mostly taken by Sam Droege. Apart from being phenomenal images, I immediately thought they would be great reference material to draw from – so much wonderful linework, texture, shapes, detail, etc.

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Watercolours, dip pen and ink

Watercolours, dip pen and ink

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4b pencil and eraser

4b pencil and eraser

So I highly recommend a visit to this site and even if you aren’t interested in drawing them they are well worth viewing.

Cheers,
Meegan

Toko and Band of Skulls

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The Lounge Bar at Toko

A rare night out these days, a friend and I headed out to see UK act Band of Skulls. Beforehand we went to dinner at Toko in Surry Hills. Only at the last minute I decided to take a sketchbook and pens. I have drawn quite a few bands lately and felt not much more could be discovered in that kind of environment. And I am always self-conscious of delaying my friends to eat the food we order because they allow me time to draw it.

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Thankfully I did as we sat at the bar. Toko is an izakaya style of restaurant, which I think is a casual seating environment where diners share dishes and the food is usually prepared in view. We were given seats right in front of the “sushi” chefs (I’m sure there is a better word for them as they do more than just prepare sushi) so it was with immediate glee when I realised I could draw them in action.

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We got there early and the three chefs in front of us were just hanging round wiping their knives and boards. I was thinking I would get very little opportunity to draw their skilled hands at work, but about ten minutes later they were flying. In fact the entire kitchen was like a busy intersection at peak hour.

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I only drew a couple of sketches at the gig. I could see very little, as you can tell in my drawings, and it can get a little dull not only not being able to see the main attraction in view, but that you are drawing so little of it and in darknesstoo. Not a great combination to advance your drawing skills.

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Anyway, hope you enjoy. Oh, and all the drawings were done using disposable brush pens.
Thanks for stopping by,
Meegan

2 Comments

A Day at the Museum

Echidna - drawn with a blue biro

Echidna – drawn with a blue biro

I spent the day at the Australian Museum, firstly to see the Wildlife Photographer of the Year exhibition. A yearly event that I always check out. But it was also an opportune time to do a bit of sketching as well. With only an afternoon left up our sleeves, my friend and I headed to the Search and Discover room. I’ve always thought it was an area just for school groups, but it is open to all visitors.

Tasmanian Devil - drawn with a micron pigma pen and painted with watercolours

Tasmanian Devil – drawn with a micron pigma pen and painted with watercolours

What’s great about this room is that they have live and um… less live (?) animals you can get a bit closer too. Well, all natural history museums are essentially a collection of dead stuffed animals I suppose. I dont know how old some of these specimens were but when you can sit less than a foot from one and they dont move at all!!! it’s perfect sketching matter.

Ring tail possum - drawn with micron pigma pen

Ring tail possum – drawn with micron pigma pen

I’ve been here before to sketch (click here), and every time I leave it fills me with the urge to draw more animals. It might be because sketching short-haired animals totally compliments cross-hatching techniques so perfectly making it easier to come up with good drawings.

Cheers,
Meegan

4 Comments

Easter treats

Prize winning goats

Prize winning goats

I’m not sure if this happens around the world, but in Australia, for those of us that live in the city, every Easter the Royal Agricultural Show comes to town. It was originally established in the late 1800s as a way to bring attention and promote the state’s agricultural produce and industry. And it still does to some extent but they have thrown in fun fair rides, foods, amusements and so on too. But its usual tag is when the country comes to the city.

Dog judging competition

Dog judging competition

As a child it was all about the sample bags, or as they are now called, showbags – overpriced bags of small packs of confectionery or cheap ‘made in China’ toys that for some reason are irresistibly a good bargain. But now as an adult, and part-time artist, it provides a refreshing variety of things to draw.

One great thing about going to the Easter Show, what it is commonly called, is that it is all about interaction and getting up close with the animals. Although many are in pens you can still stand close enough to get some good details unlike the zoo. I wish I had more time to get to all the animal pavilions but I was pooped by the afternoon. All the sketches were drawn with a blue biro pen.

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The Farmyard Nursery was great. Some of the animals were penned but they had a lot of baby goats and sheep walking around. A lot better since I was a kid. Speaking of kids, I had one little kid who I think found sanctity underneath me from some excited children.

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Another highlight was drawing the woodchopping. Not the easiest to do but very compelling and addictive. Partly because each woodchopping heat would last only minutes and their movements aren’t as repetitive as I hoped, so it took some time to observe the movements and body stances.

But they have such wonderful and dynamic movement when they swing and aim their axes, not just with the arms but the legs and back. I  made two visits to the woodchopping arena that day. I think if I go to the show next year I either buy a 2-day pass and spend one entire day just drawing them.

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Cheers and happy easter!
Meegan

3 Comments

Chinese New Year, Part II

A week after the first lot of drawings, the lion dancing performances intensified but I still fitted in some sketches in between all the rushing around. If you would like a larger view of the sketch, just click on the image

This is a shop entrance that sells Chinese ornaments and decorative hangings. If you think the doorway is jam packed you should see the inside.

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Usually around 3pm we get to have something to eat, usually…

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This is a pole jumping performance, where the lion jumps, runs, swings, bounds, cavorts ;P across a series of 4-10ft poles with very little cushioning below. As you can see in the tree it was a bit windy that day, not great conditions for jumping.

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While waiting for our next orders,  I sat on the footpath opposite Market City (a shopping centre) and started to sketch the old features of the building. I didnt get far as I bumped into an old family friend I hadn’t seen in a while.
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Our next performance I tried to capture the firecrackers going off behind the lion, but it just looks like a christmas tree. Ha, ha!cny2014_14LRThe school also does dragon dances, which I dont have the muscle for (you have to hold it up with a pole, run and move it from side to side). This was drawn at our gym where everything was stored for the new year.
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Again waiting for the lion dance to start. This was out at Flemington in front of the local bbq shop. A queue started to form which wasn’t there when I first started.cny2014_10LR

Back in Chinatown for another peformance. The Sydney mayor and other politicians were doing the rounds with us, but I think the crowds were more excited by seeing about five lions together. It looks like a paparazzi moment.cny2014_11LR

Getting one of the vehicles ready to head out for a performance.There is an art (or science) to packing a vehicle full of lion dance equipment.

cny2014_12LR One of the last venues on my schedule was the Randwick racecourse for a corporate function. Unfortunately we couldn’t wait around outside where the horses were, but hidden away from the approaching guests until we had to perform. I would have much rather drawn them than a boring race track.cny2014_13LR

Cheers,
Meegan
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