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A Breakthrough at Cockatoo

Back in December 2010 I started this blog with the whole premise of finding a style that I was happy with, or to see if I had a style at all. I was testing myself on all levels – landscape drawing, still life, different mediums, participating in online projects like Urban Sketches, Sketchbook Project, Everyday in May etc.

Although my work was getting better and better and I was able to break out of that commercial mode of thinking I still was never completely satisfied at the end of a drawing session. And that feeling of satisfaction is like a… well, I guess it would be equivalent to that rush a skydiver feels after completing a jump. It lifts you higher than the last and you want to keep going and going. It’s a real buzz. I’ve had it before, like when I first discovered life drawing and that’s what I’ve been searching for.

Well, I’m glad to say less than a year and a half of plugging away at it, I think I’ve found it! I went to the International sketchcrawl with my Sydney Sketch Club and the location was Cockatoo Island. It’s a wonderful location in Sydney Harbour that used to be a former convict prison and shipyard. Many of the old buildings, cranes and heavy industrial machinery is still there creating this wonderful ghost-town feel. It’s a sketcher’s paradise. I have been there a few times and because of its gritty nature I wanted to experiment with coloured inks. It’s also a really dusty dirty place so if I made a mess no one would have noticed too.

It didn’t start off well. I had an idea of using a household sponge to apply the colour washes and then draw in the scene with dip pen and indian ink. But for me it was overworked and too busy. That has been the thing that has nagged me for awhile – because of my loose, bold style I can be quite heavy handed, and have always found that my work has no point of interest or any character in it. It’s nicely executed and they’re all pretty pictures but very  one dimensional.

So I gave the old Indian ink a rest and just used colour inks (Winsor & Newton, btw). I laid down a very quick wash with a paint brush and sometimes used the same colour for the linework. I used a semi-continuous line drawing technique and found this kept my work cleaner. The results were really interesting and dynamic.

The good thing is its not a far cry from how I paint and draw now, meaning it wasn’t completely contrived just to create a style. I guess what has happened is that it is cleaner and I’ve refined my techniques to give the pictures more depth. The other tell tale sign that I’ve made a breakthrough is that I look at what I’ve done and get lost in it. I keep seeing lines or splashes or textures that intrigue me and think “Holy cow! I did this!”

Now I’m in a bind – this blog was only created to help me complete this journey, so really I don’t need to continue it. But I have made so many wonderful online acquaintances along the way, and seen so many blogs that are inspring. It’s also only supposed to be a black & white art blog too. I may need to rethink the next phase of this blog and give it a new purpose. Any thoughts and suggestions are welcome.

Anyway, thanks to all of you who have been along for the ride and I hope you enjoy the new work in technicolour!!! Well, at least 5 or 6 colours.

Talk soon!
Meegan
xx

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Already April

I cannot believe we are four months into the new year – it’s ridiculous. It’s been awhile since I did some Urban Sketching, admittedly I never felt motivated too, but once I did one I wanted to keep going. I also drew my first “ghost” stop – which is a bus stop that is no more. The shelter is still there but buses just zoom on by. I was wondering why that car was parked illegally in a bus zone. Doh!

To see all my Urban bus stop sketches at your leisure please click here for this link.

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A capital idea

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I went to our country’s capital, Canberra (NOT Sydney, for all my international followers) for a few days. It was mainly to visit the touring Renaissance Exhibition at the National Gallery but I managed to fit in a few more museums and markets. Anyway, for those who do not know, Canberra was a planned city from its beginnings, ie not a small colonised area that grew and grew. So it does feel like you are walking around a large scale architectural model, except the trees aren’t fake and stuck down with blue-tac.

Because of this it doesn’t have the architectural heritage of the past centuries, eg Colonial, Gothic, Edwardian etc. but a lot of modern architecture, which probably in its time was quite impressive now looks more like the setting for a 1970s sci fi flick. Which is why I had to capture the bus stops in Canberra. They’re a bone coloured capsule-like structure with a bright retro orange window. They’re at most bus stops and surprisingly no one uses them anymore. I was too scared to enter one in case it transported me to another world. If you would like to see more of my Urban Sketches bus stop series click here.

I also visited the Australian War Memorial, which is one of the best museums in the country, and that’s a statement I make without having even seen the entirety of it. If you would like to see the colour sketches of my Canberra trip please visit my flickr site.

If you would like to see more from my travel sketch book, please click here.

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More Bus Stops

More bus stops for my Urban Sketches contribution. For detailed images click here. Cheers!

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Pump Pen Second Review

Over the last month or so I have tried to fit in some random sketches to continue my trial of the Ackerman pump pen with fairly interesting results.

I may have mentioned in my last review that the pump pen would be really handy when I’m sketching en plein air, instead of having to balance a small ink bottle in my hand. However the results were never good.

I made a point of not using it straight away, ie I kept it in my bag for a few hours before using it. One plus was that it never leaked, but I could never complete a drawing, even in a relatively small sketchbook.

I started to draw the two people sitting under a tree (see below – on the right page), but the ink seized up. That evening I took it out again to test it and ran it under some cold water. It started to flow again and everything else you see on the page is from that attempt. But it wasn’t flowing freely, it was a bit stop/start and that it just stopped completely or ran out of ink to be more precise.

Pump Pen Trial 1

When I started my 2012 Urban Sketches book I was hoping to use the pump pen, but it wasn’t working for me. You can see how the ink and linework starts to dilute or seize up on the right. The pen may have only been half full when I used it, but the double page above was a full pen.

Pump Pen Trial 2

Today I gave it another shot but I stayed home, at my desk, and it worked fine.  Below are two examples and how “long” the ink lasted before I had to refill the pen. This book is about 14x14cm (5.5×5.5 inches). The ink flowed really well and I had no problems at all.

cute dog at the end of first ink fill

cute dog finished after refill

apeman at the end of first ink fill

apeman finished after refill

So I guess you can work out my summation of this pen…

OUTDOORS: it’s not reliable, and even if it was I would still have to carry an ink bottle around with me to refill and finish an A4 drawing, which defeats the purpose of it being more practical.

INDOORS: it’s great, I didnt have any issues drawing with it despite just getting use to the format itself.

The only glitch was when I pressed it air bubbles came out underneath the pen unit (see below). The bubbles are a way of telling you the reservoir is running low, but it should appear on top of the nib. I may have unscrewed the unit and not closed it properly. However, as unsettling as it looks it didnt splash out anywhere, and I managed to keep my hands completely free of ink this time! Yay!

Filling up the pen is a little slow, and if you have big hands and a little ink bottle it may be a bit cumbersome, but it takes little maintenance considering my pen sat there for weeks on end without use, and I didnt have to clean it out to use it again (I’ve only ever had indian ink in it). I probably wouldn’t advise keeping ink there if you dont plan to use for a while as I think it dries up in the reservoir anyway.

My final words on the pump pen are that… I like it, but I dont LOVE it. If it’s easy enough for you to purchase one then its a nice addition to your drawing aresenal. I would also allow some time to goose around with it before attempting any major pieces.

Maybe this is the first make of the pump pen, and like all products in their early incarnations the manufacturers will develop and refine its design over the years for better or wider use.

If you would like to read my first review, click here. And feel free to contact me for any questions – I’m not an expert in it and can only give you my own short experiences worth.

Cheers, meegan.

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Do the Bus Stop

As I was starting a brand new sketchbook for my Urban Sketches entries I decided on a theme based around Scenes From A Bus Stop. Most will still be around my local area, but as I take public transport quite regularly I will include other locations around Sydney (and possibly further? who knows…)

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Anyway, I’m sticking with the artline pen and waterbrush as I like the style of it. I would have liked to use my Ackerman pump pen, but I’m  afraid that wont cut it (hoping to write a second review in the coming weeks). I have also decided to square off the scenes – which I’m really liking more and more in general. It helps to create more focus on the scene by containing it, it’s also a lot neater, and hopefully it will help me with my composition and proportioning. But with the latter reason, I think it will take me a long time to get there.

Not being an architect, I find myself not being able to instinctively use sightlines effectively. Partly because I dont want a lot of long lines visible in my drawings, and I’m also scared I will get bogged down in them too much. But it is worth pursuing with more intent, and I’m always up for a challenge.

If you would like to see these sketches in more detail, please click here. And if you would like to visit the Urban Sketches Australia site, please click here. Cheers!

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Urban Sketches Australia 2012

My theme for my new Urban Sketches book in 2012 is “Scenes from a Bus Stop”

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International Scratch Crawl

The Sydney group had arranged the International Sketchcrawl venue in Hyde Park, but on cue the rain came bucketing down. (What makes me cringe is that when I got home that afternoon the sun came out, and has been out for the rest of the weekend!!) However, the Australian Museum was a nice alternative, and always filled with things to draw.

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Ackerman Pump Pen First Review

I’m not sure how many of you have heard of the Ackerman Pump Pen, but in my search for a “compactible” pen to draw with I found these guys. I love dip pens nibs for the flexibility they have when moving them around the page, and the varying line width in a single stroke. But they’re messy buggers and you also have to carry a bottle of ink with you if you plan to sketch outdoors. As much as I would love a fountain pen (only coz they look so cool and shiny) the nibs are too stiff and line width too fine to give me the depth and flexibility that I like. I could embrace them but I feel their limitations may change my style and approach to drawing. In my search I came across the Pump Pen and it seems to answer my prayers.

So without further ado, here is my first review of the pen. I say first review because I only took time to see if it worked, and have not taken it with me on a sketch outing or used it on any artwork. So I guess you could say I just took it for a spin around the block. Therefore my review may seem a little harsh, but I’m hoping, and I’m also quite confident, that once I get the hang of it, as I did with my dip pen & nib, I will settle quite comfortably into using my pump pen.

Essentially it is like any other modern pen, with the body acting as the reservoir for the ink (and yes, it can take Indian ink – BONUS!). The nib is basically your own nib, in my case, the Hunt 101 Imperial, the same nib I would use for my dip pen. And sitting underneath it is a feeder that comes with the pen or nib unit.

Firstly, I waited a looong time to receive it. I dont know much about the company but when I ordered the pen there was a backlog of orders. I think it was a case of a small home grown business taking off BIG time. Which is a good thing for them, and I hope they have sorted out all that yucky business end of things by now.

I bought a pump pen that came with a Manga G nib, and a Hunt 101 Nib Unit (for my Imperial nib). I’m not sure if I should have “dicked” around with the feeder underneath the Manga nib as I couldn’t get it back in the pen – but the instructions said I could remove it when filling the reservoir. But once I did that the feeder kept slipping out and interferring with the actual nib. I stabbed myself in the finger too trying to fix it, and I think I have given myself a 2mm tattoo! So I gave up on that one and attached my Hunt 101 Nib Unit.

I’m not the greatest at reading instructions, so after attempt No. 3 I slowly read the very simple instructions on how to fill the reservoir. You stick the pen in the ink bottle and twist the bit on the end of the pen to draw the ink up. Not hard in itself, but it was a little impractical, especially withdrawling jet black ink from a little bottle that is coloured black from the ink (W&N 30ml). I couldn’t see if the entire nib was sitting in the ink, so had to keep taking it out to see if it was working. They do tell you once the bubbles stop appearing on the nib then it is full. It took a couple of minutes to do this, but I’m sure this is one of those things I will get use to.

Once filled with ink it works a treat. The pen’s design is something I’ll have to get use to as well. If you are thinking of buying one I would suggest spending one morning messing around with it, and I mean MESS-ing around with it. The pump action is the equivalent of re-dipping the pen back into the ink bottle –  you squeeze the green “pump bit” with your thumb to release more ink. So, when the pen runs a little dry, you squeeze and more ink flows out. This however, can cause it to initially blob out and drip over your paper. So I would suggest not to “pump” it over your artwork and have a bit of spare paper handy.

All in all it worked pretty well. It’s quite funny, because I didn’t have to constantly dip into a bottle and as it felt like I was holding a normal pen, when the ink flow would stick, I wondered what was going on. But that’s what would have happen with my normal dip pen anyway. So unfortunately it still has some of those annoying traits common to all dip pens! I did notice the flow was a little more stickier when my pen was hanging upside down.

Below you will see my, ahem, drive round the parking lot with the pump pen with all its bangs and bumps. If you would like to see the actual hand drawings closer visit my Hands Study page here. I did 15, 30, 60 second etc sketches. Which might account for the ink sticking. I had to stop/start my stupid timer all the time. For the three pages shown I filled up the pen twice. Which means if I wanted to take it out with me all day I’d still have to take my ink bottle with me OR buy another pen…

Overall I do like the pump pen, which is why I would like to review it again after I’ve had the chance to use it in my normal capacity. And also to see how it goes travelling filled up. So hopefully that was helpful to anyone interested in these pens or dip pen alternatives.

Stay tuned… (Added later > to read my second review, please click here)

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Happy New Year!

I made the most of my precious client-free week inbetween Xmas and NY Day and got a lot of drawing and painting done. How blissful it was! I managed a couple more Urban Sketches, which completes one book. So I will start the new year with a new book. I was thinking of drawing scenes from bus stops, seeing as I spend a lot of time using public transport. However, there’s still a lot of Marrickville I haven’t covered yet. Aah, decisions, decisions…

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For a closer look at these in detail and more urban sketches, click here.

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