CNY 2017

Chinese New Year came a lot earlier this year as it follows the lunar cycle rather than a set calendar date. I missed most of our lion dance performances this season so only did Friday and the weekend but that was exhausting enough! Usually I feel this tired after doing 2 weeks worth, not three days – I must be getting old.

I’ve written (plus sketched) in more detail in previous posts about what lion dancing is so if you would like to check them out please click on these links 2014, 2016.

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Supplies – graphite pencil and inktense pencils

Lion dancing is always on the move – not just the performances themselves. We cover so much of Sydney and constantly broken up into teams that at anytime we could be sent off in different directions. So everything we need is carted around with us.

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Unloading – 6B Pencil
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Outside Star City – 7B pencil
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Waiting for a car space – 6B pencil

It can also make parking an issue. This sketch was done at the Marigold restaurant in Chinatown. It’s four levels up with a very small ground level and basement carpark. Despite the number of years we have been booked here they still never leave car spaces for us. There is this constant ritual of having to negotiate space so we can unpack.

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Macquarie Centre loading dock – 6B pencil

When we do shopping centres some at least allow us to use their loading docks.

Raise a glass

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6B Pencil
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6B Pencil

During this period large Chinese restauarants offer banquet deals – you book a table and they serve you a set menu with a lion dance included. Its such a celebrated event that in some restaurants its become more of a spectacle. When the lion dance starts it gives everyone the licence to go mad.

 

 

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6B Pencil

Traditionally what happens is a table will offer the lion a red packet of money. The lion will come over to their table and collect it in its mouth. Many people place their red packet on a cup of tea or a glass of wine or beer with the intention that the lion also shares a drink with them, like spreading good cheer amongst the table.

Some like to take it to another level and cheekily stack the red packet on a tower of wine glasses, beer bottles, saucers, cups, bowls or teapots. The idea is that the lion “swallows” the entire tower and when its finished pulls away to reveal a different combination of cups and so on. Occasionally they are a little too high, or the lion head is a little too drunk (can happen) that it all comes crashing down. Thankfully the atmosphere is so lively and jubilant even the managers aren’t upset with the mess and damage. Though not so pleasant when the lion reverses into a chandelier or expensive light fitting.

 

 

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Image courtesy of JWK LionDance Assoc

At the Marigold there is a low stage at one end where we set up the drummer and cymbal players. We also pop colourful paper confetti that makes the kids go crazy. They flock to the stage and collect it handfuls. Basically once they’re on the stage they don’t leave and jump and dance around.cny_2017_006_LR.jpg

 

A couple of little girls watched me draw, almost sitting right on top of me. As I was doing this sketch below, I hadn’t drawn the faces in yet as the drummer and cymbal players swapped with new people halfway through my drawing. They were completely different sizes or stood differently so it threw me a little. One of the girls asked me to finish the face of the cymbal player [left hand side] which was completely blank. I just drew in his glasses and left it, but she wasn’t satisfied so she took my pencil and drew in the eyeballs for me. They were so good I decided to leave them in – she drew with the book upside down too you know!

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7B Pencil and Inktense pencils

Chinese New Year is all about family, and we are seeing a young generation of lion dancers taking shape with my friend’s kids. cny_2017_009_lr

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6B Pencil

Lion Frenzy

It’s amazing how fanatical people get over the lion, especially the Chinese. I suppose because I am a part of it I have a different perspective. There is no other way to describe it than they just go apeshit for lion. I apologise for my language but you watch mature well respected or at least mild mannered adults go manic over a lion, like Beatlemania or Beliebers. So when there is more than one in a room its a lion frenzy.

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7B Pencil and Inktense pencils
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6B pencil with inktense pencils

Later that night we performed at Sze Yup Temple in Glebe, one of the oldest Chinese temples in Sydney and still visited frequently by the Chinese community. During this period it is incredibly busy and on the eve of  the New Year it’s standing room only. The dragon dance performed by another group had already finished. This temple has a very small forecourt and dragon dances need some decent floorspace so I don’t know how they managed.

 

Even before we started the crowds already encircled us, they crept closer and closer like sharks around prey. Not only was it tight on the ground the air above was thick with burning incense or joss sticks both in and outside the temple.

It burns!

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6B pencil
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Sze Yup Temple 2015 – Photo courtesy of JWK Lion Dance Assoc.
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6B Pencil

One worker who was dressed more like a hazchem cleaner would push his way out of the temple every ten minutes with a bucket loaded with lit joss sticks and candles because they were overwhelming the small urns inside. Only inches from your head were handfuls of lit joss sticks clutched in people’s hands as they pushed past to make their prayers. That’s why I drew this picture, it reminded me of a torch relay but one that stings your eyes from all the ashes.

Your typical day

 

 

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Flemington Markets – 6B pencil with Inkense pencils
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Flemington Markets – 6B Pencil with Inktense pencils

The next day I was out and about covering a whole lot of Sydney. That’s probably the most exhausting part to this side of lion dancing – the amount of travelling that happens from morning to midnight.

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For the papers, Macquarie Centre – 6B pencil
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Waiting at Blacktown – Inktense pencils

The only time I get to chill is when the others perform the lion dance poles – heartstopping, dramatic, highly skilled and disciplined moves. Admittedly I have drawn them jump before so gesturally I already know the most dynamic moments to draw. So even if I can only capture a fraction of it, I can, to some degree, fill in the rest of the sketch based on what I know and have drawn before.

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Market City – 6B Pencils with Inktense pencils

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Market City – Inktense pencils

Happy New Year folks, hope its a great one!
Meegan

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BACK IN THE SADDLE

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Sydney Uni – sketched last year

Most of last year has been an absolute blur and I can’t believe its already 2017. I think the reason time flies for many people is that we try and cram so much into each day (well I do anyway!) it makes the days, weeks, year go so much faster. I had more than enough on last year – some fun and pleasure, family commitments, but a large chunk of it work and that all-consuming ever lasting gob stopper list of home repair and improvements.

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Sydney Uni – inktense pencils

But I got through a major hurdle in September re: getting my house in order and since I ticked that off, it had also mentally freed me as well. So my advice to anyone who has been putting off getting something done because it seems painful or tedious to do – get it done asap! Its amazing how much of a mental hurdle it can create for every other aspect of your life.

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Sydney Uni – inktense pencils

Anyway, so as that was done and dusted, and Christmas not being as whirlwind as it used to be, I could allow myself time to get back into drawing. Although I haven’t stopped working on my personal projects, having the spare time just to draw or sketch purely for the exercise of it was very rare. The easiest way for me to get back into it was to head out with my sketch groups again.

LAVENDER BAY

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Attempt with a blue biro

I met up with Urban Sketches Sydney on the north side of Sydney. A very pleasant picturesque view overlooking Sydney Harbour Bridge and Luna Park. It ended up not being a great day for me sketch-wise. I don’t know whether it was because it had been a long time since I had sketched outdoors, that I was rusty and didn’t know what to bring, or because I slept in and then found out all the trains I needed weren’t running so it took me over an hour to get there arriving flustered and hot! I think it was around 30˚ that day…. Or as my friend pointed out – it was too pretty a scene for me. I thought it was a combination of all the above.

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Ink and dip pen

But on further consideration I think it was more the latter. I’m used to not having a full arsenal and drawing on the fly with very little art supplies – once I didn’t have anything so I used a gallery flyer and borrowed a pen. Another time I only had a dried up brush pen at a concert. So I’ve always managed in those situations. And as Everyday Matters shows us you don’t need a lot of time to get something down.

 

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Lavender Bay. Photo courtesy of Getty Images, Warwick Kent.

I think it was just too damn pretty there. Even the stormy sky which looked to  threaten all day never really announced itself to us. The Harbour Bridge and Luna Park were also at such a particular distance that could be considered as a harmonious viewing distance, engaging but not confronting.

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The only thing that intrigued me was a Moreton Bay tree trunk and a local resident exercising his dog in the water. But no decay, no distortion, nothing awkward or unkept. Even all the boats were shiny and new. There was no discord to be found!

LEICHHARDT

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3B Pencil

Undeterred by my less than useful results at sketching the week before I met up with the Sydney Sketch Club in Leichhardt. One of the more older suburbs in Sydney’s inner west. Its an area visited more for its Italian food and culture but it seems to have diversified a bit more lately, though you can always find a decent cannoli here. We centred around an intersection with the town hall and a church on opposite corners. Sometimes these locations are chosen because they also afford the most street space for us to set up without creating congestion for the locals.

Everyone was already underway when I got there…and I wasn’t late either! It was another very sunny day. And in Australia when I mean  “sunny” it means whatever you do DON’T sit in the sun, particularly in summer, find whatever shade you can otherwise you’ll be crisper than pan-fried bacon. Everyone was dotted along the same wall in a slither of shade. It reminded me of a flock of swallows all sitting on the same telegraph line. I wasn’t particularly captivated by the town hall nor the church, but when I looked at everyone from the other side of the road I noticed  they were sitting in front of the local public school.

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3B Pencil

Partially hidden behind the trees was a turret and below a feline-like grotesque. I thought it was a bit unusual for a primary school and all the levels seemed to be stacked and compressed too, so I thought that was a interesting. The challenge was was it’s hulky shape which was partly obscured by trees and that because of its positioning I couldn’t sit far enough back to view the entirety as a whole. The problem this causes is your proportioning can be distorted, for example, the ground floor I was looking at it straight ahead or at eye level, but for the turret I had to tilt my head up to draw it, which changes the angle. It sounds minute but it can create so many problems including making your picture look or feel wrong. There was also this wedge shape in the wall that was hard to show the angle, especially because I couldn’t see where it started and ended.

Still intrigued by this building I went closer and found to my luck the school gates were open. Again I was confronted with the situation of not being able to pick and choose my angle and distance because of a very narrow walkway at the base of the building and a garden area next to it.  Even when I could sit further back the trees obscured my view. I had no choice but an ultra tight close up where i was looking up at a 90˚ angle.

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3B Pencil

With about 20 minutes to go before the group review, I did a quick one of this strange little boutique shop on the opposite corner. It was strange because the roof and walls looked as though at one time in its life it was a much larger house. But they just sliced it in half and patched up the walls. It had all these wonderfully odd angles and geometric shapes like a house of cards.

Chinese New Year 2016

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Waiting around to start

I’m part of Jin Wu Koon Liondancing and Chinese New Year is a massive month long celebration in Sydney where the whole city joins in. It also means there a constant and intense schedule of lion dance performances for us that can range from morning till midnight and take us to all regions of Sydney and further.

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Its a very physical thing and the long hours and minimal hours of sleep can take its toll – I didn’t go to all of them and I was exhausted! I think what compacts it more is all the time in-between waiting to do each performance – standing around on the street or in front of a restaurant. I find that quite tedious as its not necessarily enough time to really chill out but not short enough to keep your momentum going.

That’s why a few years back I decided to bring my sketchbook with me. Originally I wanted to capture what we do, click here to see. The second time it was to kill time, click here. This year it was a bit of both.

You also can’t carry much around with you – a small handbag or pack is about it, so that restricts what I can carry with me. I also need something that is also going to give me instant results as well.

So I used disposable Japanese felt brush tip pens.

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“Behind” the scenes

Up on high

JWK have a team who also perform lion dancing on poles – normal lion dance takes some practice and experience, but this – this takes a huge year round commitment and you need something of a fearless character to do it. Below is footage from last year.

Its always hard to draw and capture fast moving objects, especially in this case where its a 360˚ performance. As I’ve seen them perform a few times before I had already worked out the moments I wanted to capture. Still not an easy thing but it helps you block out the temptation or natural tendency to want to capture everything.

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cny2016001_LR cny2016004_LR cny2016010_LR cny2016011_LR cny2016012_LRIts always a good opportunity to draw the crowds who watch with great anticipation.

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Lion? Dragon?

For those of you who thought it was a dragon, no it’s not. These next  few drawings are of a dragon dance, thanks to the Chinese Youth League.

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aaaaanndd if you still can’t tell what that is, here is some footage of them in action.

And when I’m not drawing the “entertainment” I look for inspiration elsewhere.

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Dixon Street
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Chinese New Year display

Lion dancing can have you performing at all sorts of events and venues. This was a wedding held on a restaurant boat. These couple of sketches are us waiting for our water taxi so we could head off to our next performance.

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Possibly someone’s dinner – a lobster waiting its fate at a restaurant in a shopping centre.
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The aftermath of a late afternoon yum cha.cny2016020_LR Hanging out at the gym and watching the Legacy Brazilian Ju-Jitsu students practice tumbles and moves.
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I ended up finishing off my sketchbook, so I went and bought the cheapest pad and pens I could find.

materials_LRIt was tiny, bigger than a business card. I also bought a thick marker which probably wasn’t the greatest of choices too, but I’m always up for a challenge. I did also buy a thin one to get some balanced detail in.

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Some scenes around Chinatown, as we waited for the State MP to rock up.cny2016027_LR cny2016028_LR cny2016029_LR

We also have the largest lion head in the country, again, probably not the best sized notepad for him, hee, hee.
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Amazingly my last performance with them this season was at the Art Gallery. Sadly it was just for some sportscar promotional event, so I doubt many would have given a fig about the art around them. But at least it gave me a chance to visit.
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I think I broke my record on the number of drawings for Chinese New Year. Question is, how will I approach it next year…

Cheers, Kung Hei Fat Choi!

Animals! Animals! Animals!

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Elephants – chinagraphs and watercolour

Back in January I went down to Melbourne for a short break to catch up with some friends, and in particular sketching friends.

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Gorilla – chinagraphs, oil pastels and watercolour

I chose  Melbourne Zoo as a location for a day out having not been there since I was probably 16. Its very different from what I remember, a lot more trees and winding paths. The weather never started out well my whole trip but always ended up better as the day progressed.

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Orangutans – oil pastels

There was a bit of rain in the morning threatening to ruin the day for us but then the hot humid sun emerged an hour in which made things like finding a good spot to draw more open. However, I ended up scrambling for little scraps of shade anyway!

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Orangutan – oil pastels

As I was travelling I wanted to minimise what materials I took down with me. Even just sketching around Sydney I tend to take more than I need and there’s nothing more frustrating than a suitcase full of stuff that’s not used.

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Orangutans – oil pastels

I’ve got a new studio space at home now and have since sorted through all my art supplies. I have so much stuff that has barely been touched, a lot from when I was a kid! So my objective was to use some of this stash.

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tree kangaroo – oil pastel, watercolours, ink & dip pen

My selected tools were to be oil pastels, chinagraphs, watercolours with brush, ink and dip pen, and a permanent marker.

It was lovely to use oil pastels then brush over them with watercolours to get that nice texture created from the water’s repulsion.

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Elephant – watercolours and oil pastels

I’m really happy with this elephant. Considering it was through a window with many vertical bars obscuring the view, but my persistence paid off and frankly, I think having a limited view helped me pull back in terms of not overdoing it, i.e. not adding too much detail. I do love the textures I created and the white space, and I seemed to have captured a bit of personality as well.

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Gorilla – chinagraph

I’m not sure why I decided to try out chinagraphs. I had a few that had never been touched – don’t even know where they came from. They have a strong colour and application that you would expect from a piece of charcoal or oil pastel but with more control on smaller drawings. They give you an opportunity to put some detail in and it’s not as messy. The black one has nice deep blacks which sometimes I find a 6B pencil won’t achieve. It’s really soft so using it the way I do wears down to the wood quickly but it does feels more fluid.

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Elephant – chinagraph

This last lot I did was with a black Artline permanent marker. I was using it on water soluble paper so it would dry my pen out half way through a sketch – which I was hoping for as it creates a nice texture and a subtle variation in tone as well.

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Colobus monkey – permanent marker

The great thing about working with a permanent marker AND drawing moving objects is that you cannot think too much or linger too long with your sketch. Its permanency and colour intensity means you can’t hide anything.  And if you leave a (fresh) marker too long in one spot it tends to bleed making your lines blurry. So its a great medium to practice expressive drawing.

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Colobus monkey – permanent marker

I didn’t see many animals that day but felt like I got some substantial drawing in. The only thing these drawings don’t show are how many other people you have to content with for a good spot as well as how generous an animal is with their time, or lack of.

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chinagraph

Then a week later I went horse riding at Centennial Park, Sydney with my work. It was a lead up to a brainstorming session for a new client that specialises in animal products, particularly horse care. I’d never been horse riding before so it was quite an experience. I take my hat off to anyone who rides horses for a living. As it was a work thing, I didn’t think I’d get much time to sketch, but I at least managed to fit this one in.

Anyway, not a bad start to the new year.

Quick sketches

I’ve had so much on this year that getting out to sketch on location is a luxury. I’ve allowed  myself once a month to go out with one of my local sketch groups. On the weekend we went to the Sydney Fish Markets.

The weather has been really unpredictable lately so packed mediums that I could use under any (or no) shelter. I think the biggest issue was finding some space to draw amongst all the visitors who come down not only to buy but to eat.

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Inktense pencils and disposable felt brush pen
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Inktense pencils

As I was scanning this sketchbook I realised there were some other drawings I had done awhile ago outside the Art Gallery of NSW.

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Scribble technique using 3B graphite pencils
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Inktense pencils

 

Blue Lining

ballsheadpoint&coalloader_01 LR I headed out with a friend to sketch at the Coal Loader and Balls Head Point on the north side of Sydney. Usually when its a planned day of sketching I decide the night before what mediums to take. Sometimes it’s everything – inks, watercolours, inktense pencils, graphites etc. but I end up not using them all. This time I couldn’t decide so I used an old faithful – the blue biro.

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It’s one of my favourite tools and probably one I’m most comfortable with as I used it quite a lot as a child. I may have mentioned before that having used permanent pens instead of pencils to draw with helped discipline my drawing skills throughout those early years. Not having that back up of being able to erase a mistake forced you to be more thoughtful with every line as well as more confident.
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Biros are cheap, available to buy anywhere, durable and don’t need to be prepared, packed or pampered. They’re consistent in distribution of ink, they dry quickly and despite its hard point you can get so much tonal range and dimension as seen with all the different applications I used on the day. The blue pens also have such a unique finish that makes them more interesting than black ones too.

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Some people like using gel pens but I don’t, at least not to draw with anyway. Its nature is to glide over the page smoothly and effortlessly, great for writing, but I like the traction you get with biros. They’re grittier and there’s more of an interaction with you and the pen, and the pen with the paper.
ballsheadpoint&coalloader_04 LRSo give it a go, there’s probably one sitting right next to you. Take that doodle to the next level!

Cheers,
Meegan

More info:
The Coal Loader in Waverton, Sydney, NSW was an industrial site used in the last century to transfer coal for large vessel use. Now it has been reinvented as a learning and display centre for domestic eco-sustainability, including a community veggie garden and chook run. Even more impressive is that way before any of this it was (or still is) a cultural and spiritual place for the local indigenous people, the Cammeraygal. Thankfully somewhere down the line an effort was made to preserve this amazing whale stone carving found at the Coal Loader that is thousands of years old.

Coogee Beach

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Pencil and Intense colour pencils

I made a promised myself to join my sketch club or urban sketchers group at least once a month. Life just gets busier and busier and I’m afraid my outings with them are becoming less and less. I’ve mentioned before how important they are to me as I use them get out of my comfort zone and experiment with techniques or materials I might not otherwise make time for, or I use them to practice the rudimentary skills of drawing.

Still inspired by my trip to Canberra and seeing the black & white works of Daumier and Degas I kept to my 3B pencil for most of this excursion.

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Pencil

It was around 9am and already the sun was quite intense. As beaches are almost devoid of shade I scrambled to the slither of coolness on the far side of the beach where I was fortunate in that there were some wonderful rock formations to sketch.

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With no hurry to leave this baby-sized oasis I decided to allow myself some moments to study it. When I set myself up for these types of sketches I take a few minutes to study what I’m about to draw. I look at it and ask myself what is it that really attract me to this scene that I want to draw it? Even though its cool by anybody’s standards, I’ve singled this out amongst other possibilities to sketch, so what makes it more enticing as a drawing exercise? Is it the shapes, the textures, the heaviness of the rocks, the shadows..? Whatever it is I use that as my objective for my drawing. This will “drive” my sketch and in particular my thoughts as it starts to take shape. It’s even useful when you get a bit lost in all the detail of your subject matter as it helps you re-focus, and I believe you get a more unified drawing as well.

In this case I liked the weather eroded shapes with their rounded edges and the way the shadows heightened their mass. Hopefully this animated gif file below works so you can see the step by step stages.

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And here is the finished result.

coogee beach 2 LRI also did an inktense pencil version too.

coogee beach 3 LRI have two photos of the lead up for this.coogee col LU 1 LRcoogee col LU 2 LRThen when it was time to meet up with the others fortunately my slither of shade had turned into a whisker, so I had no other choice but to take on the sun. By that stage the number of beach goers had increased considerably so I did a few gestural drawings while I was waiting. Although they were lying around sunbathing they still do move a lot. Because I was up high it was also a great exercise in foreshortening.

Arline felt pen and water brush pen
Arline felt pen and water brush pen
Arline felt pen and water brush pen
Arline felt pen and water brush pen
Arline felt pen and water brush pen
Arline felt pen and water brush pen

Well I hope you enjoyed my trip to the beach. Now to deal with the sunburn…

Cheers,
Meegan

 

Daumier and flight delays

From Sydney to Canberra

I spent a weekend in Canberra, in what is beginning to feel like my annual art pilgrimage. The first stop was breakfast at NewActon. A bit of hipster action near the university. They had wonderful sculptures dotted around in the area too and the food was good too at Mocán & Green Grout.

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The National Galley’s major exhibition this season was “Impressions of Paris” – a wonderful exhibition displaying three French artist – Toulouse-Lautrec, Degas and Daumier, who have been very influential on me.

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Daumier

I was introduced to the works by the first two artists when I was in high school, at a time when I was developing my drawing skills and breaking out of my comic book self-education. Because they both used drawing tools rather than paints, brushes and canvases I related to them more.

Daumier I only came across in books about the history of western art etc. one of his oil paintings would usually sit next to a Corot or Courbet. They were painters from the Realist period in the late 1800s. ‘Realism’ was not about painting subjects as photo-real as possible, but about revealing the truth about life, and in particular the class differences that existed in France at the time.

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Daumier

And it wasn’t until a trip to Europe back in the 1990s did I realise Daumier was known more for his caricatures and satirical drawings than his fine art paintings. For all of us sketchers out there the opportunity to see a master’s sketches and drawings, more than they’re finished pieces, is a thrilling opportunity. Lead up drawings are uninhibited and they leave their notes or mistakes in so you can learn quite a lot from them. But this artist is  known for his drawings, full stop! So it was imperative I went to Canberra to see some.

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Another wonderful angle to this exhibition was that the bulk of work on show were lithographs and monographs, basically prints. Some were reworked by the artists while others were the prints from original newspapers or posters that were on display. It was very exciting to see these fine artists produce artwork specifically designed for reproduction. Many were very clean in style and were always, more often than not, designed as black & white works. I appreciate work of any kind that uses black as more than just a means of outlining or shading a picture, but as a dynamic element in a composition.

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Daumier

And print work is not always as revered in galleries like their painted partners (which is probably why this exhibition was free to enter compared the previous years exhibitions) but i think they have more relevance in our world than oil paintings. Daumier’s work was designed to be topical and relevant to everyman. The biting humour in his work created in the late 1800s and aimed directly at the French aristocracy can still make someone in the 21st Century on the other side of the world laugh out loud.
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And he wasn’t just a cartoonist or caricaturist whipping up little sketches of topical content, his illustrations have wonderful tonal balance, fantastic compositional direction and an intuitive sense of anatomy. If ever there is a Daumier exhibition near you I highly recommend seeing it. Even if you can’t draw or aren’t interested in art his work will entertain and impress you.

From Canberra to Sydney

As most of this trip was gallery hopping it didn’t leave much time for sketching. So I don’t know whether this was a good thing or not (probably not coz I didn’t get home till 9.30pm) but my plane home was delayed by more than 2hrs so I used that time to sketch. And I kept it purely monotone in inspiration of the French masters. However, I didn’t have my pencil sharpener so I kept having to pick at the wood on my pencil with my fingers!
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I tried drawing the above with these cheap kids multi-coloured or marbled pencils, but as you can see they hardly made an impression. So I resorted to my 3B pencil to capture some serious cloud action that was happening on the horizon.canberra2015_5LR

It was a very sparse terminal and little to draw in terms of texture and complexity. I saw this little truck…thing?But my brain switched into trying to replicate the artwork that i saw and it felt disjointed.
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So I tried again and just let my natural style kick in. It’s like a scribble technique. I let the pencil fly across the page and draw what I see and, especially, feel. It’s not so much about getting any kind of accuracy but more about allowing myself the joy of putting in the shapes and lines, like waving a sparkler in the air until it burns out. If there is any accuracy or tonal balance created  I guess that comes from experience and having spent a lot of time drawing more precisely and always practicing the foundations of drawing.
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Another cute little truck – I reckon it could have fit in my pocket!

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Forty minutes into my delay I went to get a drink and lost my seat next to the window, so sat in another position. I used my hotel biro. It was hard to get this right (for me) because that girl thought I kept staring at her (which I was) but probably not for reasons she might have thought (whatever that was).
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They had these large flat ottomans I thought were great for a tonal picture. I tried the multi-coloured pencil again which hardly made a dent, then I tried the hotel pen but it kept cutting out on me, so resorted to my then blunt graphite pencils.canberra2015_LR9

Finally in the air, halfway through the flight we saw some more crazy cloud coverage. Just really big and fluffy but ranging in different depths of perspective, like the multiple backdrop scenes in an opera. One day I will do a serious study on clouds, they’re impossible to do as you fly past them.

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Even after the pilot said we are now preparing for our descent into Sydney, it still took long enough for me to sketch these two. Impromptu sketching does help one deal with the anxiety of wanting to just get home.canberra2015_11LRAnyway, hope you enjoyed my flight!

Cheers,
Meegan

(NB: I cannot find the original ownership of the Daumier prints, so post thanks for allowing me to reproduce them in my post)

Hidden in Rookwood

Sydney Sketch Club organised a meet up for the annual Hidden Walk art exhibition at Rookwood Cemetery in Sydney. Thankfully it was only in a small section of the grounds as it is one large mother of a cemetery. This is my third or fourth sketching venture to a cemetery so won’t bore you with the reasons why I enjoy them so much. But if you would like to see and read some of my past trips to them please click on this link.

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Katana, Bushido Exhibition, National Gallery of Victoria

One thing I did aim to do this time was to work solely with graphite pencils and a rubber/eraser. I liked the results of my Bushido series (shown above)  drawn when I went to Melbourne a few months ago (click here for link) and wanted to revisit that technique. So I took the below equipment with me. I’m not sure how I ended up with so many of the same pencil and pencil grade but it proved quite useful.SSC Rookwood Hidden equip LR

They were mostly 3B and 4B pencils which meant that only after a few seconds of sketching the sharpness of the soft lead point would disappear, and you can lose your momentum having to re-sharpen the same pencil over and over again. What I do is sharpen them all before I start and lay them out next to me. As soon as one goes blunt I pick up a sharp one and continue.

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Mind you my first drawing of the day is always the least successful (image above). It’s like what they say about making pancakes – the first one is always the “throw away” and the rest get better after that. The next three drawings show artwork installation from the exhibition.

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The rest are just wandering around the older parts of Rookwood. Its early spring in Australia so all the overgrowth is in full bloom.
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This next one I attempted to use some of my inktense pencils. I’m not sure if I like it or not. I don’t know if it adds anything extra being there. I will have to make a few more attempts next time.SSC Rookwood Hidden7 LR

This last one is my favourite of the day because I treated it more as a completed composition rather than just sketching what I see and then “finishing” it off. So I was very conscious of it working as a whole from start to finish.SSC Rookwood Hidden8LR

Thanks for stopping by.
Meegan

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