
I’ve never really been into pattern/shape making. It’s something I would only subconsciously do when I’m in a meeting or on hold wth customer service purely to stop me from falling asleep.
Don’t get me wrong, patterns are cool. I love patterned fabric and am envoius of designers who can balance multiple shapes as well as colours. So I was very keen to start today’s exercises. They were still just black & white tasks in pencil but for someone like me who can’t work with more tha n3 colours it was a good baby step.
Results
I started off small and randomly coloured in triangles of 3 different tonal values, so a set of four boxes would contain two lots of white, ligh, mid and dark triangles. I didn’t worry about the order or alignment of the tones, just let it happen instinctively. I don’t evem know why I chose triangles either.
I did fall into a few traps where I was building up too many dark triangles in one area because I wasnt thinking ahead, but as a whole it doesn’t look too bad. Keeping it to only four shades gave it some consistency and flow when it was lacking in other factors.
For instance, comparing the two, when reading them from top to bottom, your eyes flow more smoothly over Example B. But I do like the scatter gun energy of Example A. B is graceful and harmonious, A is spontaneous and unconvential.
I tried to just do square patterns but it wasn’t giving me enough complexity. I did find myself trying to balance it out symmetrically, despite not having a game plan other than not to overwork it…which probably should have happened a tad earlier.
I left out shading and focussed on solid squares. The intention was for it to be symmetrical but perhaps my creative subconscious isn’t inclined that way as I lost it in the middle.
When I first came across zentangle artwork online my immediate reaction was that this is just doodle drawing, the way a kid decorates their school books with, something with no thought process behind it. However, in the hands of the right creative thinking it can become something really exquisite and beautiful. I’m in awe with the amount of detail, thought and effort that goes into building one.
Results
However, I don’t think its my cup of tea. Although I’m happy with my first attempt at a zentangle I struggled trying to come up with pattern after pattern after pattern, while also being conscious that my choices must work within the shape and size of the area. I really didnt enjoy this at all.
Results
I started late today and only had time to create three, so I kind of merged some of the options into one. Tiled pattern design is also something I’ve never attempted before. I learnt how to sew last year so it has made me more aware of fabric patterns and it’s rules of design.
This exercise wasn’t really about that though as it would require more than just an afternoon to dissect what makes a good pattern design. It was merely a framework for me to structure an exercise that featured repeated patterns.
After I scanned everything in, I quickly tiled my pattern to see what it would look like repeated. This might work better if it was balanced out with say, one larger flower device or a reversed block. But again, it’s not the point of this exercise.
Example 3: This was a combination of the last three. I return to patterned shapes, but as you can see in the centre I lost count and got quite confused with all my overlapping petals. However, I do like the feel to this one. It’s very sensous and delicate.
Conclusion
Although it’s my first attempt at creating with patterns and geometric shapes I’m feeling it’s not my thing. It doesn’t seem to engage my mind enough. A lot of it felt more about keeping between the lines.
Next post
The Creative Plan – Day 4 Graphite Pencil
Previous post
The Creative Plan – Day 2 Graphite Pencil
